Showing posts with label Drama. Show all posts
Showing posts with label Drama. Show all posts

Tuesday, November 18, 2014

What if Stronger Women: Retelling The Winter's Tale

A scene from the Utah Shakespeare Festival's 2004 production of The Winter's Tale. (Copyright Utah Shakespeare Festival. Photo by Karl Hugh.) Courtesy: http://www.bard.org/
In The Winter's Tale by William Shakespeare, Queen Hermione is one of the most important characters. Her importance is not only limited to the context of this play in particular; rather Hermione is perhaps one among few strongest women characters Shakespeare has ever created for/ in his plays. Paulina of this very play can also be categorised as similar to Hermione. Yet, the overall development of the play is not presented from her perspective. Although being strong and heroic, the Queen's role is made subordinate, and the role of the King Leontes is highlighted. From a feminist perspective, the point of view which the Shakespearean drama is presented through thus can be called patriarchal, for it presents women in submissive roles who always accept decisions of their male counterparts. If the story is retold with the feminist lens, the plot of the play will go to a completely different direction in which women characters are decisive in themselves for their life.   

Decision Making Right of Women in Pericles

The eight-member cast of California Shakespeare Theater’s Pericles puts on a jousting pageant on stage at the Bruns Memorial Amphitheater in Orinda. Photo by Kevin Berne.  Courtesy: http://www.theaterdogs.net/
Pericles, Prince of Tyre, a romantic play by William Shakespeare revolves around various women characters from diverse family backgrounds. These women have significant roles in movement of the plot, for without them the play would be different. But, their role in decision making moments that actually determine the plot movement is different from character to character. While some characters are not allowed to speak during crucial decision making moments, some other even enjoy it to the extent that they are misused. In some cases, the decision making right awarded to women in the play is not much strong as women generally had in the sixteenth century Shakespearean English society.  But, some women are able to make their voices heard in decision making processes. In overall, the decision making right that women characters in the play can enjoy is not uniform, but different from case to case and person to person.

Thursday, June 6, 2013

The Erasers: A Narrative Rewriting of Oedipus Rex



          
Photo: http://ecx.images-amazon.com
  The Erasers is a detective novel by Alain Robbe-Grillet, originally published in French as Les Gommes in 1953. The novel deals with attempts to find the assassin of a professor named Daniel Dupont who was supposed to be killed in the night before the novel's setting. The novel is set in an unnamed city, covers a full day that a government's special agent spends to find out the murderer. The novel concludes much like the world famous classical Greek tragedy Oedipus Rex by Sophocles revealing to the readers that the one searching the murderer himself turns to be the murderer. Due to its similar plot structure with dramatic irony and other similar elements, The Erasers can be taken as a rewriting and/or rereading of the classical mythical tragedy of Oedipus.

Sunday, March 10, 2013

Nora's Final Meeting with Torvald: The Doll's Defiance



Nora Helmer, wife of Torvald Helmer is the protagonist of the celebrated realistic play 'A Doll House' (1879) by Henrik Ibsen (1828-1906). The change in her personality from a submissive wife to an assertive woman is taken as the most important move of the plot in this play. In this development, Nora's final meeting with her husband Helmer (whom she is going to leave) is the climax. Understanding this very episode provides the audience with the central controversy associated with Nora's role: is she right in leaving home. In deed, the scene of her meeting with Helmer is essentially crux of the play as it includes the landmark move in the plot, that is Nora's daring defiance against her doll position.

Thursday, February 14, 2013

Poetry in 'Fences': Metaphors, Music and More


'Fences' (1987) is a play by August Wilson, who is well known for the plays that use best of poetry and music. Like in many of his plays, poetry and music are very significantly present in language of characters of this play 'Fences'; and they have made this play playful and amusing. In addition, the play involves many interesting metaphors, contributing to enrichment of meaning of the dialogues. Thus, it is language of poetry that has made 'Fences' richer for both understanding and pleasure. 

Mother – Son Relations in 'The Glass Menagerie' and the 'Death of a Salesman'


'The Glass Menagerie' (1944) by Tennessee Williams and the 'Death of a Salesman' (1949) by Arthur Miller are considered to be two of most important plays of twentieth century American theatre. Written in the same decade, both of the plays delve into two different families and relationship between its members. The mother-son relationship in these two families is interesting to study, because it shares many similarities and differences. Though there are many gaps, both of the plays involve similar role of mothers toward sons of similar nature.